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Genre: Concerts

Satsang

Satsang with special guest, Jake Goldberg“I Just Want To Write And Perform Songs That Touch The Heart And Help Others”. Letting Go Of Genre, Expectation, And Boxes, Satsang Has Leaned Into The Power Of Songwriting To Drive Their Forthcoming Release, Flowers From The Fray (The Band’s 5th Album In 6 Years) Due Out Fall 2022. Recorded And Self-Produced With The Help Of Bandmate And Longtime Collaborator Parker Brown, This Record Finds The Duo Tucked Away In A Secluded Cabin In Southwest Montana Digging Back Into The Foundation On Which Satsang Was Founded On. “These Songs Were All So Personal To Me” Says Drew Mcmanus. “Whether It Was Really Sifting Through The Stage Of Life I Had Found Myself In Which Was A Kind Of Dark Night Of The Soul, Or Leaning Into The Love Of My Wife. This Record Is Truly Me Bearing My Heart. I Needed To Seclude Myself To Find Out Where These Songs Wanted To Go, And Having Parker’s Musical Guidance Had A Big Hand In That.” This Record, Coupled With The Band’s Last Release All. Right. Now. Is A Maturing. A Growing Into The Songwriter And Musicians That The Band Was Destined To Be. A Settled And Firm Foundation Of Influences And Sound That Brings Every External Aspect In And Finds It Internalized And Distilled Into “Flowers From The Fray”.SATSANG VIP EXPERIENCE: • One general admission ticket• Early venue entry• Intimate soundcheck performance by Satsang (Solo)• Q&A session with Satsang• Collectible 2023 tour poster, signed by Satsang• Commemorative pre-show tour laminate• Limited availability

Spafford

Spafford is known for their astonishing improvisational ability and off-the-cuff extended jams, Spafford paints a picture in real-time each night with a musical palette known only to each other. It’s a private language comprised of both their talent as musicians as well as their formidable catalog of influences, spanning 90’s alt-rock radio hits to Steely Dan and The Crystal Method. Each Spafford show is a sonic pilgrimage, the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. Spafford is amongst the most creative and hard-traveling bands on the contemporary jam scene, performing countless sold-out headline dates along with high profile festival sets at Bonnaroo Music & Arts Festival, Firefly Music Festival, and many others.

SMELLS LIKE NIRVANA w/ NOT.GREENDAY

SMELLS LIKE NIRVANACelebrate the legendary sounds of Nirvana & Kurt Cobain w/ national traveling Nirvana tribute ‘Smells Like Nirvana’ as they will perform songs from Nevermind, In Utero, Bleach, and more (b-sides/rare songs).Make this show special by submitting a song request via smellslikenirvanatribute.comSmells Like Nirvana features an ex member of the Grammy nominated metal band Trivium and hit musical ‘Rock of Ages’ vocalist Paul Wandtke w/ bassist Mike Petrasek and drummer Benny Piazza.NOT.GREENDAYThe world’s most dangerous tribute to the band we are NOT. A live Green Day experience by fans for fans. Join us in celebrating Punk legends, Rock and Roll Hall of Fame Inductees, and 20 time Grammy Nominees, GREEN DAY, with the nation’s premiere tribute act, NOT.GREENDAY. Performing hits and deep cuts from every era of Green Day’s catalog spanning over four decades, including songs from; 39/Smooth, Kerplunk, Dookie, Insomniac, Nimrod, Warning, American Idiot, 21st Century Breakdown, ¡UNO!/¡DOS!/¡TRÉ!, and Revolution Radio! As 4 die-hard, lifelong Green Day fans, NOT.GREENDAY brings a high energy, non-stop performance that is guaranteed to have you dancing and singing along in a sea of nostalgia.

Kaitlin Butts

Full of reflection, daydreaming contemplation, sharp wit, tough decisions in the midst of dire situations, rosy love, and beaming growth, What Else Can She Do finds Country music’s Kaitlin Butts in full bloom. Behind her flowing locks of auburn hair, Oklahoma twang, and a wry grin, grows a devastating storyteller and an equally demanding, radiant voice.   Following up her charming debut Same Hell, Different Devil and a diverse run of singles–the cosmic dancer “Marfa Lights,” the haunting murder ballad “White River,” the sweet tranquility of “How Lucky Am I,” and the enigmatic disco fever dream “White River (Remix)–What Else Can She Do has Butts delivering a collection of delicate, strong, and gallant characters and transformative storytellers.   What Else Can She Do is a visceral display of just how raw and mighty words and actions can be–and how sometimes, knowing when to walk away can be just as compelling as holding on. Inspired by the resilience and humility displayed by the women in her life, Butts’ latest is a welcoming nod and saving grace. Time and again, she demands to be seen and heard as an artist, storyteller, and woman.

James McMurtry

AUSTIN, Texas — In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, out August 20, 2021 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan (2012’s Tempest) and David Crosby (2016’s Lighthouse) as well as Browne himself for I’m Alive (1993) and New Found Glory, Coming Home (2006). McMurtry and Hogarth first worked together 30 years ago, when Hogarth was a recording engineer in the employ of John Mellencamp at Mellencamp’s own Belmont Studios near Bloomington, Indiana. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland, for Columbia Records and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods, for Sugar Hill Records. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.“Lyrically gritty, musically gutsy, go tell ‘em all…we need James McMurtry bringin’ us more.” —Andrew Farrris, INXS “James McMurtry may be the truest, fiercest songwriter of his generation”  —Stephen King

Tanner Usrey

Guitar in hand and mic turned up loud, the tunes do the talking for Tanner Usrey. The Texas-born singer, songwriter, and guitarist pairs straight shooting storytelling with country grit, rock ‘n’ roll energy, and Americana eloquence. As such, he channels a classic spirit from a personal perspective. After piling up tens of millions of streams, packing hundreds of shows, and landing syncs on the likes of Yellowstone, he bares it all on a series of 2023 singles for Atlantic Records and much more to come.“I let the songs be what they’re going to be, and I pride myself on that,” he notes. “Musically, it ranges from southern rock to country to Americana. When it comes to songwriting, I want to focus on what’s real – I don’t shy away from saying the hard things.”Growing up in the small town of Prosper, TX, he gravitated towards music as a little kid. By five-years-old, he constantly belted out Alan Jackson songs around the house much to his family’s chagrin. “Everyone used to tell me to shut up,” he laughs. “I was the kid who sang all the time.”After catching Wade Bowen and Brandon Rhyder in concert, his destiny crystallized in high school. “I remember saying to myself, ‘That’s what I want to do’,” he recalls. “That’s what led me to picking up a guitar.”Inspired by everyone from George Strait, Tom Petty, Lynyrd Skynyrd, and Rolling Stones to his favorite band Whiskey Myers, he wrote countless songs and cut his teeth at gigs anywhere with a stage. In between holding down a job as a skip tracer, he carefully honed his signature style. Quitting his job in 2019, he unveiled the Medicine Man EP. “Come Back Down” generated 19.1 million Spotify streams followed by “Beautiful Lies” with 18 million Spotify streams. During 2021, he tirelessly gigged in between releasing the SÕL Sessions EP. “The Light” also notably soundtracked the finale of Yellowstone Season 4. Along the way, he cemented himself as an electrifying and energetic live presence with over 180 shows in 2022.“When we’re on stage, our goal is to have the audience clinging to the edge of their seats,” he shares. “I get to play with a bunch of badasses, and I don’t take it for granted. We pounded the pavement and put at least 100K miles on the van in a year-and-a-half.”Signing to Atlantic Records, he kickstarted 2023 with “Take Me Home,” cracking 10 million streams and counting. On its heels, the single “Give It Some Time” threads together dusty acoustic guitar and unfiltered lyrics as he pleads, “Give me something to believe in, baby, because I’ve been losing my mind.” Against an organ-laden beat, it builds towards an emotionally charged guitar solo that’s as scorching as his delivery is.Ultimately, Tanner’s music might just say everything you need.“I hope you hear what you want to hear, enjoy it, resonate with it, and know it’s real,” he leaves off. “It’s been a wild ride. I’ve busted my ass. I started off doing all of this on my own, so it’s crazy to see how this and the team around me have grown. People are going after real music right now, and that’s great. I’m looking forward to seeing where it goes next.”

Bad Wolves

Expectations never mattered to Bad Wolves. Instead, the Los Angeles band fused unpredictable metallic intensity and impressive instrumental proficiency to arena-ready hooks, transforming from underdogs into elite platinum-certified hard rock contenders without compromise or apology. Since 2017, the core group—John Boecklin [drums], Doc Coyle [lead guitar, backing vocals], Chris Cain [rhythm guitar], and Kyle Konkiel [bass, backing vocals]—have consistently subverted expectations and accomplished the seemingly impossible. In 2018, the band earned a platinum plaque, topped iTunes, and ruled Active Rock at #1 for three weeks straight. This momentum also propelled their debut album, Disobey, to a Top 25 debut on the Billboard Top 200. In between performing to sold out audiences on multiple continents with heavyweights such as Five Finger Death Punch and Megadeth, 2019’s N.A.T.I.O.N. yielded their fifth straight #1 at Active Rock, “Sober,” and brought their total stream tally past the half-billion mark— unprecedented for a modern rock band. Not to mention, LoudWire hailed it among the “50 Best Rock Albums of 2019” as Billboard and Consequence of Sound chronicled their rise. In the midst of 2021, they welcomed Daniel “DL” Laskiewicz—previously of The Acacia Strain—as lead vocalist, ushering in a new chapter with their third full-length offering, Dear Monsters, [Better Noise Music]. Once again, the only thing to expect is the unexpected… “In terms of how we started four years ago, the album was definitely a return to form,” observes Boecklin. “We went back to making a more complex record musically, while incorporating our rock side. We eventually found the right mix of everything. There are some really heavy moments, and there are some more anthemic moments. It’s just Bad Wolves.”