David Nail

David Nail LIVE with special guest, Pryor BairdHailing from Kennett, Missouri, David Nail is well-respected up and down Music Row. Some might even call him a “tour de force” as his songs pull no punches in evoking the demons with which he has wrestled through much of his life. The GRAMMY-nominated multi-platinum singer/songwriter’s early releases, I’m About To Come Alive, The Sound Of A Million Dreams, I’m A Fire and Fighter, ignited his reputation as an innovator and creative risk-taker yet left Nail feeling restless. This led to the departure of the only record company home he’d ever known, MCA Nashville, where he’d formed friendships that endure even now. Through dealing with his own journey of mental illness and the feeling of needing to “rebel against what people expect you to be,” Nail began making his most “organic” work to date, David Nail & The Well Ravens, with Jason Hall and Andrew Petroff. That project liberated Nail and propelled him into his next adventure. Writing solo for the next few months led to his debut solo independent EP Oh, Mother, a reflective piece of work. Of the title track, Rolling Stone noted that “the song creeps in like a sunrise — quiet, restrained cello and keys are the only underpinning for Nail’s powerful vocals at first. But then it slowly builds to something more massive and majestic.” That release was followed by Bootheel 2020 and Bootheel 2021, projects dedicated to the singer/songwriter’s hometown in the “bootheel” of Missouri. Nail plans on releasing more music, leaving behind any self-imposed restrictions. In Nail’s own words, “My philosophy has always been, I just hope to have a good enough year that I can have a next year while staying as true to myself as I possibly can.” Find more at www.davidnail.com.

Texas Hippie Coalition

With a Southern rock-influenced brand of metal that pours punk, grunge, and pure melodic hard rock into the blender, Texas Hippie Coalition evokes Molly Hatchet and Charlie Daniels crossed with Pantera chasing after the rock ghost of Lynyrd Skynyrd. The band took up residency on the Billboard heatseekers chart before cracking the Top 200 with the release of 2014’s Ride On. THC continued to refine its Texas outlaw-metal sound on subsequent efforts High in the Saddle (2019) and The Name Lives On (2023). Pride of Texas Their self-described “red dirt metal” is very much a product of gigging out of Chickasha and Denison, Texas, not far from the Oklahoma state line — Red River Valley territory. Formed in 2008, THC consist of Big Dad Ritch, John Exall, Wes Wallace, Timmy Braun, and Randy Cooper. Self-released debut Pride of Texas appeared in 2008, after which THC quickly gained steam, signing with Dallas-based label Carved Records. Rollin’, their Dave Prater-produced follow-up, arrived in 2010, followed two years later by Peacemaker, which rose to number 20 on Billboard’s Hard Rock Albums chart. Working with producers Bob Marlette and Skidd Mills, THC thickened up their already gritty sound on 2014’s Ride On, which marked their first appearance on the Top 200 chart. The red-dirt metal party train continued to chug along with the band’s fifth album, 2016’s Dark Side of Black, and again on the swaggering and aptly named High in the Saddle in 2019. Early 2023 saw the release of the blazing “Hell Hounds,” the inaugural single from the band’s hard-hitting seventh long-player, The Name Lives On, which arrived later that April.

moe.

Al Schnier (guitars, vocals) * Chuck Garvey (guitars, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)Hailed by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft. For three decades, the band has corralled myriad musical forms on a truly original journey rich with crafty, clever songwriting and astonishing resourcefulness. Fueled by an impassioned fan base, moe. has spent much of those thirty years on the road, encompassing countless live performances marked by eclectic wit, deep friendship, and exploratory invention. Having built an enduring legacy with hard work and a confirmed commitment to creativity and community, moe. seem as surprised as anyone to find themselves at such a significant landmark.”The career just very subtly unfolded,” says co-founding bassist-singer-songwriter Rob Derhak, “without any of us noticing it actually happened.”Al Schnier (guitars, vocals), Chuck Garvey (guitars, vocals), and Derhak first came together at the University of Buffalo in 1990, musician-friends uniting to play for the sheer fun of it. The band followed a handful of cassette-only releases with 1992’s FATBOY, recorded in an apartment studio above Buffalo’s Top Shelf Guitars with a bird’s eye view of Mighty Taco.”We liked music, we liked to party, and we wanted to put those two things together,” says Derhak. “We wanted to do what seemed like the coolest thing we could possibly do and not have to work a regular job. It didn’t even seem like a decision had to be made. It’s was like, this is what we’re doing and it’s happening. The idea that thirty years later I would be a dad, paying a mortgage and earning a living, based on our band, with the same guys no less, that never even crossed my mind.”Finding themselves with an increasingly avid local following, moe. ventured forth, now with master rhythmatist Jim Loughlin among their ranks. The more the band traveled, the more they grew creatively, evincing a remarkable willingness to progress as they went along. moe. quickly became part of a burgeoning scene centered around NYC’s Wetlands, a grassroots revolution that embraced freewheeling genre fusion — spanning funk and free jazz, country and classic rock, prog, new wave, calypso, pop and everything else under the sun — fan interaction, and unrestrained improvisation.”We adapted,” Derhak says. “Initially we didn’t have quite as much of the same ideal at first. We didn’t jam or have long extended solos. But as we went from being an opening act to being a headliner, we didn’t have enough material to do two long sets. We needed more material so our songs started to stretch themselves out. We became a jam band.”2020’s THIS IS NOT, WE ARE — the band’s 12th studio album and first since 2014’s NO GUTS, NO GLORY — includes eight new songs, most of which were road tested over the past two years of touring. In addition, the LP features one song making its first appearance anywhere, the Garveypenned “Undertone.” Self-produced by the band, THIS IS NOT, WE ARE sees moe. once again pushing their music forward while simultaneously rifling through their back pages on songs like Derhak’s nostalgic “Skitchin’ Buffalo” and the Al Schnier composition, “Crushing.”Impossible to pigeonhole as anything other than simply moe., this one-of-a-kind band has never been easily categorized, their sonic adventurousness and tongue-in-cheek humor distinctly and undeniably their own. Despite current circumstances, moe. is celebrating their milestone anniversary with characteristic self-deprecation and wistful optimism. Here’s to the next thirty.

MOTIONLESS IN WHITE | IN THIS MOMENT

All cultures, religions, and belief systems share one commonality. Life springs forth from a mother. She bears, nurtures, cultivates, raises, and prepares children for the world. Without her, existence ceases. Much like the earth, life grows, thrives, and survives inside of and because of her… Since coming to life in 2005, gold-selling hard rock provocateurs […]

IN THIS MOMENT | MOTIONLESS IN WHITE

THE TAYLOR PARTY: TAYLOR SWIFT NIGHT (ERAS VERSION) – (18+)

Hey, Lovers!Can we ask you a Question…Are you ready for it?We promise that you’ll never find another party like THE TAYLOR PARTY: TAYLOR SWIFT NIGHT, a Taylor Swift Inspired Dance Party. ✨Best believe our party is Taylor-made for ultimate fans. Surrounded by Swifties, you’ll sing and dance through all her iconic eras.So, grab your 👑 and your crew, and come party, for evermore!We know you polish up real… NICE.

In Rapture

In Rapture Album Release Show with special guests 1 Second To Go and Elephant Graveyard.

Lyle Lovett – Now at The Alberta Bair Theater

Lyle Lovett and his Large Band: Now at the Alberta Bair Theater A singer, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers.Whether touring as a ‘Duo’ or with his ‘Acoustic Group’ or his ‘Large Band,’ Lovett’s live performances show not only the breadth of this Texas legend’s deep talents, but also the diversity of his influences, making him one of the most compelling and captivating musicians in popular music. Since his self-titled debut in 1986, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades, besides the four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, and was named Texas State Musician. His works, rich and eclectic, are some of the most beloved of any artist working today. Downtown Summer Sounds Rules and Policies: Weather: The concert will be held rain or shine. Be prepared for extremes such as heat, wind or rain. Dress accordingly, as the temperature may drop noticeably after sunset. No umbrellas please. Smoking: NO smoking (cigarettes, e-cigarettes, cigars, pipes, etc.) is allowed on the grounds with the exception of the Smoking Area. Photography: Cameras with removable lens, video cameras and recording devices are not allowed. Food and Beverages: Food and beverages will be available for sale. No other food or beverages will be allowed. Seating: Single size, low-profile lawn chairs permitted (no higher than 32 inches total from the ground to top of chair). No Re-Entry: Once you have entered through the gates, you may NOT exit and re-enter Prohibited items:• No purses/bags sized over 8 & 1/2″x11″. All bags, cases, parcels and containers are subject to inspection upon entering the venue site. • Alcoholic beverages• Animals (exception for certified service animals)• Bicycles, scooters, skates, Segway’s, golf carts or unauthorized means of transportation• Coolers or picnic baskets• Distribution of unauthorized promotional or commercial material.• Firework, explosives or any other incendiary devices.• Glass or metal containers• Aerosol cans or illegal substances• Weapons of any kind, including guns, knives, pepper spray or handcuffs• Items that may be deemed a safety hazard or annoyance to participants or guests (balls, frisbees, balloons, any type of projectiles, whistles, musical instruments, laser pointers, etc.• Large umbrellas, tents or canopies. We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. As we all know, conditions can change rapidly and we are committed to ensuring the safety of our Communities to the best of our ability. Thank you for your continued support, and participation in this regard.

49 Winchester

With its latest album, “Fortune Favors The Bold,” Russell County, Virginia-based 49 Winchester is ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk. “As we’ve aged and matured, our sound has gone from a softer place to this grittier, edgier tone that we have now,” says lead singer/guitarist Isaac Gibson. “So, we’re trending more towards being a rock band instead of a country band. But, at the same time, I don’t think anybody’s ever known quite what to call it.” Although it’s 49 Winchester’s fourth studio album, “Fortune Favors The Bold” marks its debut for Nashville’s New West Records — one of the premier labels for Americana, indie and rock acts on the cutting edge of sound, scope and spectacle.Formed eight years ago on Winchester Street in the small mountain town of Castlewood, Virginia (population: 2,045), the band started as a rag tag bunch of neighborhood teenagers who just wanted to get together for the sake of playing together. Aside from Gibson, there’s also his childhood friend, bassist Chase Chafin, alongside other Castlewood cronies — guitarist Bus Shelton, and Noah Patrick on pedal steel.“From day one, it’s always been a band and it will always be about being a band. This is everything, everything we love about music — we’re going for broke with this thing,” says Gibson. “And that gives us a unique perspective because it’s still the same guys. It’s still all of us from Castlewood traveling around, playing music and making this band a reality — this is a story of growth.” And it’s that sense of growth — more so, a sense of self — at the core of “Fortune Favors The Bold.” It’s not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically.Reflecting on his early days as a jack-of-all-trades stone mason in Castlewood, where it was about trying to make ends meet in an effort to keep 49 Winchester rolling along, Gibson can’t help but be grateful for a well-earned notion at the core of the band’s ethos — anything worthwhile in life is built brick-by-brick. “Everything has to be built. And very few people are going to achieve success overnight,” says Gibson. “There’s going to be people you see succeed in front of you. Maybe you don’t think they deserve it as much as you, haven’t worked as hard as you, haven’t done it as long as you. But, none of that matters — they ain’t you. They’re not living your life. They’re not part of your experience.” At its essence, “Fortune Favors The Bold” is about going against all odds to bring your art into fruition and into the world. It’s about leaving your hometown and heading for the unknown horizon. And it’s about proving those wrong who snickered and waited for the day you’d give up somewhere down the line, only to circle back home with your tail between your legs. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of, those hardscrabble, salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams — come hell or high water.

Genre: Concerts