Texas Hippie Coalition
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. *****************************************************************
Struggle Jennings with guests Caitlynne Curtis, A Killer’s Confession, Brianna Harness
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. *******************************************************************Struggle Jennings tour with guests Caitlynne Curtis, A Killer’s Confession, Brianna Harness.
Clutch, EyeHateGod, TigerCub
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ***************************************************************** ClutchFormed in 1991 in Germantown, MD, Clutch features Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), and Jean-Paul Gaster (drums).The band built a local following through constant gigging. After releasing the classic 7” single “Pitchfork,” the band caught the attention of Earache Records. Earache released the legendary Passive Restraints EP. Shortly after the release of Passive Restraints, EastWest Records signed the band. Their debut LP, Transnational Speedway League…, followed in 1993.A self-titled album appeared two years later on Atlantic Records and afforded Clutch their first mainstream exposure, as the label released a trilogy of psychedelic-tinged singles, “Big News,” “Spacegrass,” and “Escape from the Prison Planet.” A lengthy and very successful North American tour with Marilyn Manson put an exclamation point on this early part of Clutch’s career. The band jumped to the larger Columbia label for 1998’s Elephant Riders. Clutch re-joined the Atlantic ranks in 2001 for their 4th studio album, the six-figure selling Pure Rock Fury. The band enjoyed their first Top 40 single, “Careful With That Mic.” A year later, however, the band was tortured with label problems, and it was three years before the sonically brilliant Blast Tyrant was released by indie label DRT Entertainment. In the meantime, the band had self-released the studio album Jam Room, and their first concert release Live at the Googleplex on their own River Road Records. These two pieces would eventually see the surface through Megaforce Records a few years later. The 36-month period from 2004 to 2007 saw heavy, non-stop touring of North America and England, mainland Europe, the Scandinavian territories, and Australia. The band was now in top playing shape and writing the most challenging material of their career. With a decade of experience behind them, Clutch was now passing or outlasting most of their mid/late 90’s contemporaries. Clutch’s 7th studio album, 2005’s Robot Hive/Exodus (DRT), produced by J. Robbins, was another breakthrough release, showcasing a diversity most rock bands could never dream of pulling off. 2007’s From Beale Street to Oblivion took off where RH/E’s final track “Gravel Road” left off. A hardened, simple blues approach with power took the former Germantown High School compatriots to the next level. The album’s lead single, “Electric Worry,” wasn’t just another successful Top 40 rock single, with its anthem-like chorus and high energy guitar jam/drum solo climax making it an instant Clutch classic. In 2008 the four band members and longtime manager Jack began forging plans for the Clutch owned and operated label, Weathermaker Music…..LINEUP Neil Fallon – Vocals/Guitar Tim Sult – Lead Guitar Dan Maines – Bass Jean-Paul Gaster – Drums
Charley Crockett
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ******************************************************************* Charley Crockett – Music City USA The album cover you’re looking at might lead you to conclude Charley Crockett is on one hell of a roll. You wouldn’t be wrong. Ten records in six years is some kind of prolific. The latest, a double LP, suggests the artist has some songs worth paying attention to. It’s clear that he’s invested as much time in the studio, recording storytelling songs, and making storytelling videos, as he has barnstorming around the United States and Europe playing live shows. Not bad for a thirty-seven-year-old late bloomer. Charley Crockett has been a fairly remarkable artist to follow. He’s got a sound. He’s got something to say. He has a look. And there’s a gauzy veil of mystery surrounding him suggesting he knows more than he’s letting on. All those records in such a short amount of time have come with a “No Two Alike” guarantee, particularly the last three releases: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots of The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand. And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo country-western if you’d like. It’s true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly. Call him a bluesman, if you prefer. One of Charley’s first recorded songs “Trinity River,” about that “dirty river” in North Texas, is the perfect bookend to “Trinity River Blues,” the first 78 issued by Oak Cliff blues guitar giant T-Bone Walker 92 years ago. Charley knows where genuine music comes from and doesn’t hesitate to mine each vein he digs up. His voice is one-of-a-kind. His distinctive, plaintive vocals crack unapologetically with emotion, and he phrases his lines around the beat like a jazz singer, while he expounds upon personal relationships and the world beyond. So, who is Charley Crockett? Which one are you talking about? The Lil’ G.L.’s Blue Bonanza Charley, or the Lil’ G.L.’s Honky Tonk Jubilee Charley? Or the Homeric “Jamestown Ferry” Charley? Is that new artist who graced the stage of the Grand Ole Opry the same cat who played the Newport Folk Festival? Best just to call Charley his own man. However one may strain to describe such an enigmatic figure and his equally enigmatic music, it’s pretty obvious Charley transcends stereotype. Whatever you might think he is or isn’t, he’ll change your mind with his next song. That’s part of the fun riding shotgun with Charley Crockett. You know he’s a skilled driver familiar with all the roads. You just don’t know exactly which one he’s taking, or where he’s taking you, only that the journey will be a pleasurable one. Now comes Charley’s tenth album in his six-year career. In the Crockett tradition, it is as ambitious and ground-breaking as each piece of recorded music he’s put out so far. And it’s not just an album. It’s a double LP of Charley Crockett originals, each so…
The Brothers Comatose, TK and the Holy Know Nothings
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ***************************************************************** The Brothers ComatoseWhether traveling to gigs on horseback or by tour bus, Americana mavens The Brothers Comatose forge their own path with raucous West Coast renderings of traditional bluegrass, country and rock ‘n’ roll music. The five-piece string band is anything but a traditional acoustic outfit with their fierce musicianship and rowdy, rock concert-like shows.The Brothers Comatose is comprised of brothers Ben Morrison (guitar, vocals) and Alex Morrison (banjo, vocals), Scott Padden (bass, vocals), Philip Brezina (violin), and Greg Fleischut (mandolin). When they’re not headlining The Fillmore for a sold-out show or appearing at Hardly Strictly Bluegrass Festival, the band is out on the road performing across America, Canada, Australia, and hosting their very own music festival, Comatopia, in the Sierra foothills.April of this year is finding the band touring Latvia and Lithuania as cultural ambassadors for American Music Abroad, which is run by the US State Department with the goal of sending American artists all over the world as a cultural exchange program. The band toured China in 2018 under the same program.The remainder of 2019 will see the Brothers Comatose hitting the studio to record on their fifth studio album to be released on AntiFragile Records.
Kolby Cooper, Pecos & The Rooftops
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ****************************************************************** Kolby CooperOnly three years out of high school, still living in his small East Texas hometown, Kolby Cooper started selling out shows and clocking millions of streams using only his songs as muscle, earning streaming numbers typically reserved for household names. The prolific songwriter has an uncanny ability to turn his and his friends’ life stories into relatable songs his rabidly zealous fanbase can’t get enough of, stacking high-energy rockers, scorching break-up anthems, and reflective love songs. With new music on the horizon, Kolby continues his strenuous tour schedule, headlining sold-out shows all over the country, bringing with him his signature blend of Lonestar State roots, rough-hewn vocals, and wailing electric guitar.Pecos & The RooftopsPecos & the Rooftops are a close-knit group of friends from northeast Texas that came together while in college in Lubbock. The band is Pecos Hurley (Vocals/Acoustic Guitar), Brandon Jones (Rhythm Guitar), Zack Foster (Lead Guitar), Kalen Davis (Bass), and Kade Trentham (Drums). Their latest E.P. “Red Eye” was released January 24, 2020.
Soulfly
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. *****************************************************************SoulflyMax Cavalera: Lead Vocals/GuitarMarc Rizzo: Lead GuitarTony Campos: Bass, Backing VocalsZyon Cavalera: Drums Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter… Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of Soulfly serve as their anthems. Armed with Cavalera’s four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of Soulfly has retained its gritty edge while pushing the boundaries of what’s possible in metal. Savages represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in Soulfly almost as long as Max was in Sepultura), bassist Tony Campos (Static X, Ministry, Prong) and Max’s 20 year-old son Zyon, who splits his time between drumming in Lody Kong and now, Soulfly. “All of the things that make Soulfly killer are combined in Savages,” Max declares. Savages melds the most brutal, the most heavy and overall the most vibrant components that made up each record in Soulfly’s diverse catalog. By Max’s own account, Savages is possessed of the tribal groove of the first two Soulfly albums, particularly in songs like “Bloodshed,” “Ayatollah Rock and Rolla” and “Master of Savagery.” But there’s also the thrash metal that was found on Dark Ages and Omen; whereas the Cavalera Conspiracy records contain short, punky bursts, the new Soulfly record gets into the epic length territory of early Metallica. The death metal vibe of Soulfly’s Enslaved emerges in songs like “Fallen” and “Cannibal Holocaust.” “I really like the name Savages. I like single words that sound powerful, like Primitive, Roots, Arise,” Max explains. “It’s about the human condition right now. We have the Internet and we’re working on missions to Mars, but we are still decapitating each other and blowing up marathons. We’re still savages. Even with technology and how far we’ve come in the world, our spirit is still that of a savage.” A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity, Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There’s Cavalera Conspiracy, which reunited Max with his brother and former bandmate, Iggor Cavalera. There was the brutal attack of Nailbomb, Max’s collaboration with Alex Newport from Fudge Tunnel, which included members of…
Soulfly at Gaslight Social-Casper, WY
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. *****************************************************************21+*****************************************************************SoulflyMax Cavalera: Lead Vocals/GuitarMarc Rizzo: Lead GuitarTony Campos: Bass, Backing VocalsZyon Cavalera: Drums Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter… Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of Soulfly serve as their anthems. Armed with Cavalera’s four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of Soulfly has retained its gritty edge while pushing the boundaries of what’s possible in metal. Savages represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in Soulfly almost as long as Max was in Sepultura), bassist Tony Campos (Static X, Ministry, Prong) and Max’s 20 year-old son Zyon, who splits his time between drumming in Lody Kong and now, Soulfly. “All of the things that make Soulfly killer are combined in Savages,” Max declares. Savages melds the most brutal, the most heavy and overall the most vibrant components that made up each record in Soulfly’s diverse catalog. By Max’s own account, Savages is possessed of the tribal groove of the first two Soulfly albums, particularly in songs like “Bloodshed,” “Ayatollah Rock and Rolla” and “Master of Savagery.” But there’s also the thrash metal that was found on Dark Ages and Omen; whereas the Cavalera Conspiracy records contain short, punky bursts, the new Soulfly record gets into the epic length territory of early Metallica. The death metal vibe of Soulfly’s Enslaved emerges in songs like “Fallen” and “Cannibal Holocaust.” “I really like the name Savages. I like single words that sound powerful, like Primitive, Roots, Arise,” Max explains. “It’s about the human condition right now. We have the Internet and we’re working on missions to Mars, but we are still decapitating each other and blowing up marathons. We’re still savages. Even with technology and how far we’ve come in the world, our spirit is still that of a savage.” A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity, Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There’s Cavalera Conspiracy, which reunited Max with his brother and former bandmate, Iggor Cavalera. There was the brutal attack of Nailbomb, Max’s collaboration with Alex Newport from Fudge Tunnel, which included members of…
Renegades: An Evening Tribute to Rage Against The Machine
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ***********************************************************************Montana Music Media PresentsRenegades: An Evening Tribute to Rage Against The Machine
The Waiting (A Celebration of the Music of Tom Petty)
We encourage all attendees to get vaccinated against COVID-19. Patrons feeling sick, having symptoms of COVID-19, having been in contact with person(s)who have COVID-19, tested positive for COVID-19, are in quarantine for anything in relation to COVID-19 should not attend. ********************************************************************* The Waiting(A Celebration of the music of Tom Petty)The Waiting is a roadhouse rock ‘n roll band from Bozeman, Montana that celebrates the music of Tom Petty. Not exactly a “cover” or “tribute” band, The Waiting is—in the spirit of The Heartbreakers—first and foremost a BAND: a motley mix of musicians and friends interpreting the songs of one of rock’s greatest legends. The band’s motto is “We bring the Petty to your town,” and since 2013 they’ve been doing exactly that all across the Treasure State. Whether it’s one of Tom Petty’s smash hits with the Heartbreakers, a sampling from his solo albums, or even a collaboration with the Traveling Wilburys, The Waiting runs the gamut, performing each tune with undeniable, fiery live energy and a devotion to showing each person in the crowd a damn good time. We think Tom would approve! The Waiting is: Vocals, Guitar / David Dyas Vocals, Guitar / Levi Main Bass / Doc Wiley Lead Guitar / Rick Winking Keyboards /Jared Stein Drums /Ethan Decker